Stylemaker Fabrics + Carolyn Pajamas + M7907 = Ace

Earlier this year, Michelle from Stylemaker Fabrics contacted me asking if I would like to be part of a blog tour. The tour showcases Stylemaker’s new Spring fabric collection. Given the wonderful selection, how could I pass this offer up? There is such an array of colours, prints, types that I was pretty overwhelmed by choice. i decided on a gorgeous coral stretch denim, which I had high hopes of turning into a boiler suit, but there was serious demand for it so I was pipped to the post by others on the tour, dammit!

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So I had a bit of a rethink and was really taken with this leafy rayon crepe. It is such a lovely, fun print, the softest fabric imaginable and completely opaque. I knew straight away that I wanted to make a blouse rather than a dress, so I asked Michelle if she had any navy twill for some trousers that would go with this. It wasn’t in the Spring collection she had shown us, but she kindly sent me this gorgeous stuff. It is a pretty hefty twill in a lovely French navy and was an absolute dream to work with. It’s almost denim weight and holds the pleats and shape of these trousers really well.

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I’ve been wanting to make the Closet Case Patterns Carolyn Pyjamas top as a blouse for a while. I saw a girl wearing a tropical print blouse similar to this style with jeans last summer and it looked just ace, so this seemed the perfect fabric to try it out on.

I made some alterations which included squaring off the hem and straightening the side seams. I also lengthened the sleeves by a couple of inches.

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As with all Heather’s patterns the construction of this is really clever and I like the fact that she found a way to omit a back facing which can be so flappy and difficult to get to lie flat.

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I think perhaps because this is one of Closet Case’s earlier patterns the instructions were a little unclear at times but I got it in the end and am really pleased with the result.

One change I made to the order of construction was to make buttonholes and attach buttons prior to sewing the hem. Whilst this makes the finishing the hem at the facings a little fiddly, it ensures that the plackets line up at the hem, which I’ve had issues with in the past. The crepe was a little slippy and my stitching was a bit loose and wonky. That said it was pretty easy to work with - especially when I remembered that my machine has a fine fabrics foot pressure setting. *Eye roll*

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I really wanted some pleated tapered leg pants for the twill. I was on the hunt for something a little slimmer leg than what I ended up sewing, but was mooching around on the McCalls website and came across these. I was really intrigued by the seam just below the knee which creates the taper.

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I think they walk a fine line between fun and interesting, and clown pants. Finally I decided the shape wasn’t that different to Pattern Fantastique’s Terra Pants, which I have made before and love, so I could overcome my clown pants feelings - even though an instagram poll on the subject was pretty much straight 50 / 50.

I did consider straightening the leg a little but that would have been a little complicated as the bottom section is a semi-circular piece that only has one seam compared to the two seams of the upper leg. And I, lazily, couldn’t be bothered to figure it out. The pattern is M7907 View B.

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I have one major gripe with McCalls patterns. It is so frustrating when the patterns are sold in two different size brackets, as my top half fits the smaller size and my waist and hips in the larger. I’ve made the mistake of getting the larger size in the past which are just too big in the bust which is so much harder to alter. So it means I have to grade up the smaller version myself in the areas where needed, where normally I would just blend between sizes on the same pattern.

I understand that the larger sizes need a different block to the smaller sizes, but surely they could still be included in the same packet?

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As such I had to make a few fit changes, which is fine, it’s just grading can be a little daunting. I cut the largest size in this packet - the 14 - and added a quarter inch to each side seam at the waist and blending it to the 14 hip line therefore adding a total of 1 inch to the circumference. I didn’t add to the hips, which I normally do, because there is a lot of ease. I added 1 inch to the back rise and half an inch at the front, tapering to nothing at the centre front. I’ve finally found my perfect crotch adjustment! I also added an inch to the upper leg. I am thrilled with the fit and absolutely love how the fabric responds to the design.

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The only change I made to the construction was to add a facing to the inside of the pocket. They are inseam pockets which is OK, but I don’t like when you can see the lining fabric. So for the rear pocket section I added an inch or so wide facing to prevent this. I think it looks so much neater. (She says patting herself on the back!)

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I also had really good results with the fly. I have really struggled to find a fly zip tutorial that gives me the kind of finish I want, and I have tried many, and controversially this Big Four method was simple and gives a really nice finish.

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I love these fabrics and I love the garments. I’m not sure I’ll wear them together as much as separately as it feels a bit matchy-matchy and the blouse could tend a bit middle-aged (which I am, although I try very hard to pretend that I’m not). But the blouse with stonewash jeans and the pants with a skinny top or tee, would be some nice alternatives.

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And the major bonus to all of this is that I have enough of the crepe left to make an Ogden Cami, which will be so pretty.

I was so pleased to be asked to be involved and end up with two garments in such interesting and qulaity fabrices, that I’ll really enjoy wearing in the spring and early summer - before it gets so hot that sleeves and trousers are unthinkable.

There are lots of other gorgeous fabrics on the Stylemaker site, so go check them out.

Elizabeth from Pins and Pinot is next on the tour - see what she got up to tomorrow!

Thank you Michelle for the wonderful fabric!

See you soon x

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Wardrobe Orphans

God, I hate February. Every year it’s the same. Several months into winter but knowing that there’s several months ahead of you. Everyone’s sick. It’s cold, dreary, grey and you’re constantly getting sent pictures from your brother, who lives in Sydney, of blue skies, blue water, sunshine, beaches and tans.

Ugh.

And this year it doesn’t look like we’re going to get any snow, so there’s not even that fun to look forward to. I really think I was born to live in a place with year round summer - or at least close to it.

Sorry, envious, self-indulgent moan over.

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Anyway, moving on from misery, let’s talk about Wardrobe Orphans. Those loved items of clothing that languish in your closet despite your affection for them because you just can’t decide how, or with what, to wear them.

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Enter this shirt. It’s TPC20 from Trend Patterns (which can be made into a shirt or a dress) in a really lovely striped Bengal cotton shirting from the The Fabric Store online. I absolutely love it. The large statement collar, the wide elbow length sleeves, the huge cuffs, as well as the volume of the shirt. All of which make a big statement and coupled with the dramatic stripe, I think are really striking.

Although, after my wonderful, but perennially and proudly and highly amusingly inappropriate and rude brother-in-law mentioned, it looks like something a referee would wear, I can’t get that image out of my head. This doesn’t help with the below.

The problem is I’m incredibly particular about how colours, silhouettes and styles work together and with this I just don’t know how to wear it.

I think this type of volume on top requires a slimmer or tapered leg. Enter the only pair of pants I have that fit vaguely this description, but then the hem hits me at exactly my widest part and I don’t think looks particularly great.

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To resolve this, I think I might remove the hem-tie and wear it tucked into high-rise pants, but again all my slimmer leg pants are RTW and the supposed high rise is never high enough on me to actually fit the high-rise requirement.

Perhaps greater contrast in colour would also help.

I think, therefore, I need to make some more pants: which, as much as I love making pants is an annoying situation to be in. Having said that I did just order some gorgeous bull denim from Blackbird Fabrics to make the TPC Utility Trousers, again from Trend Patterns. Sophie and Shauni’s versions are totally wonderful.

I also have a plan to make another version of McCalls 7754 View C in black denim (I have a bubblegum pink pair I made in the summer which fit so beautifully but never made it to the blog), so with a proper high rise and tapered leg, we might be in business. Eventually.

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I’m also going to make the dress version of this in the Spring. It’s gorgeous. And won’t require outfit back up.

I’ve a few of Trend’s patterns and I really like her aesthetic. Modern with interesting shapes and details. The instructions aren’t hand-holdy - assuming you have a fairly decent sewing knowledge already - but they are really clear and very easy to follow. The covered placket on this, for example, was a doddle.

The only thing I didn’t love was the sleeve construction. The turn up is made - really cleverly I might add - before the sleeve inseam is stitched which means you end up with the seam running all the way to the end of the sleeve. This in turn means you have to be super precise to ensure you have a smooth line around the end of the sleeve, which is normally avoided by the hem or cuff being stitched as the final stage of the sleeve.

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Due to the sleeves’ wide design this can be seen when waving ones arms around - which is absolutely within my overly expressive, hand gesticulating nature. That all said, with the cuff made the way it is, I’m not sure there would be another way to finish it - or at least I haven’t tried to figure one out.

I have very few Wardrobe Orphans. It makes me happy that I usually get the balance of what I need with what I want to make about right. So I suppose the only solution to this problem is to keep on making things that fill the gaps. Oh well, that will help dispel that February malaise somewhat!

Do you have wardrobe orphans?

How would you wear this shirt?

See you soon x

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A 90s nostalgia moment - The Evie Skirt

Oh the 90s.

Back with a vengeance and causing me so many confused feelings.

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I was born right at the end of 1974 (I know I’m bloody ancient) so technically I’m an 80s kid, but my later teens and coming of age was in the 90s and that is most certainly the decade that had the most impact on who I have become as a person. I am a true member of Generation X. Angst, naval gazing, fiercely independent and authority shy and that feeling of ‘not being seen’ and all. Or maybe the latter is just a universal teen thing.

I left school in 93, graduated from uni in 97 and in those years developed a deep and unrelenting love of fashion. Well, I say fashion, but it was more anti-fashion. I definitely became very aware at around age 14 that a huge part of my self expression could be through my clothes. For a relatively shy, anxious and introverted person, I was pretty bold in my clothing choices and found this the easiest way to express who I was to the rest of the world. I suppose I still do.

I’d dig up pics, but thankfully they’re all in a loft in Hertfordshire.

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I spent a lot of time in thrift stores and army surplus stores. I wore DMs and combat boots, lived in cargo pants or floor length skirts (intermixed occasionally with mini mini skirts) and tiny tees and permanently had my lower belly on display.

And I’m glad about that as it was a bloody fantastic lower belly. The glory of hindsight.

I’m also glad that I didn’t embrace tie-dye or those tiny mirrors on clothing.

My style was definitely influenced by my musical taste but that was very contradictory. I listened to New Model Army and the Levellers (erm) but also the Pixies and Nirvana and Blur and everything that came out of 90s Manchester and to this day remain a massive Stone Roses fan. I also spent a huge amount of time at University at a variety of dubious dance clubs - (Jungle anyone?) - it was all very disjointed.

Anyway the baring of the lower belly transcended everything and was generally achieved via crop tops and very low slung trousers and skirts. Always accompanied by the DMs.

I’m sure I’ve talked about this before, so excuse me if I’m repeating myself and / or boring you.

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So the revival of some of the major aspects of 90s fashion makes me feel totally discombobulated.

For a start, how can I be so old that my defining fashion era has come around again?

Then there’s the fact that these things aren’t anti-fashion any more, they’re mainstream fashion and that annoys me - there is definitely some judgmental, old person, you don’t know what you’re wearing vibes going on there. Which I’m not that sorry about. Sorry.

And then of course there’s all the memories that it brings back and the regrets and the what ifs and the nostalgia and the bizarre realisation that I won’t live that part of my life again. I know that sounds obvious but I find it tricky to get my head around the fact that those parts of my life are over and my memories of them will only continue to fade. So yeah, that’s sad.

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Anyway after that judgey, meandering, rumination, let’s get down to the resurgence of a specific item of 90s clothing - the bias cut skirt or dress. As a hippy person (and I mean physical attributes not flower wearing), I tended to steer well clear of these, even though they would often have fallen into my wear-the-longest-skirt-possible tendencies, because they were always so badly made and inappropriate for my long proportions, that they just bunched around my hips and made me even more self-conscious about them than I already was.

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Yet when Tessuti released the Evie skirt pattern last year, accompanied by images of the Tessuti girls and their amazing midriffs courtesy of the low slung skirt and crop top situation, my nostalgia got the better of me and I decided to jump on that Evie train. I felt comfort in the fact that Tessuti’s patterns are always beautifully drafted, I could elongate and grade out where necessary and the skirt, whilst on the bias, is not dead straight; it slightly flares out from the hip down which gives a hippy girl a fighting chance.

I was looking to emulate their version exactly in the sunshine yellow satin, but then found this leopard print rayon voile on Blackbird Fabrics website and well … it is so so soft, so opaque and so drapey. And leopard print. Gorgeous stuff.

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It was a cinch to make. I’m usually pretty good about using the stay paper stuff that Tessuti always recommend for keeping armholes and in this case waistlines from stretching out, but I couldn’t find any. And this is despite the fact that lovely Colette gave me a heap when I was in Sydney last year. So I just stay-stitched instead and that was a mistake as the waist did stretch a bit and as such it is veeeerrry low on my hips. And two kids and twenty years later my midriff is not what it was. Sob.

It’s such a simple pattern and the nature of bias means that it does cling to the curves so there’s little to alter in terms of adjusting darts etc - cos there are none, dummy. *Eye roll at myself*

I added two inches to the length and graded from a 12 at the waist to a 14 over the hips and down to the hem. And it’s pretty good!

I actually meant to make this for the #sewfrosting challenge last November, but in typical me fashion finished it mid-December. I did wear it glammed up to a Christmas party but I think I prefer it worn like this with sneakers and a sweater. A move away from 90s styling. And that is OK.

I’m pretty sure I don’t need more bias skirts, but it is a lovely pattern, and I feel fab wearing it, so I’d highly recommend - just use the stay stuff that Tessuti instruct - it will make a difference.

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Oh, and just because this is a very self-indulgent soliloquy to all that is the 90s I thought I’d share this thing posted by a friend on Facebook the other day (yeah still haven’t bitten the deleting account bullet). It listed the dates that define the boundaries of each generation of the last 100 years. It was a screen grab from a TV news item:

The Silent Generation: 1928 - 1945

Baby Boomers: 1946 - 1964

Millennials: 1987 - 1996

Post-Millennials: 1997 - present.

Umm - something missing right?

It was accompanied by the caption “This is the most Gen X thing that’s ever happened”.

Isn’t it just.

See you soon x